Volume 11.1 | February 2000
|
Table of Contents
Introduction Felicia F. Campbell Juli Barry John O'Shea and the Tradition of New Zealand Cinema Wheeler Winston Dixon Orientation via Orientalism: Chinatown in Detective Narratives Karen Lynch Transsexing Technological Man: (Re) Writing the Comic Book Male/Scientist in Swamp Thing Jack Bushnell Chyna, Team Corporate, and the New World Order: The Politics of White Hypermasculinity and Anti-Corporatism in Professional Wrestling Lawrence Saez Forgive Us Our Sins: The Autobiography of Expiation Dennis Russell A Countercultural Gatsby: Hunter S. Thompson's Fear and Loathing in Las Vegas, the Death of the American Dream and the Rise of Las Vegas, USA Robert C. Sickels The Sound of “Synthetic Fury”: Dance Music, Machines and Masculinity Nicola Dibben Liminality in Women's “History-Mystery”: The Case of Anne Perry Jennifer S. Tuttle Understanding the Outsider: Grendel, Geisel, and the Grinch Robert L. Schichler West Side Story, Kennedy's Camelot & Postwar to Early 1960s America Sheri Chinen Biesen The X-Men's Storm: Challenging Cultural Norms? David J. Lambkin P.C. on the Frontier: Dr. Quinn, Medicine Woman Barbara Fowles Mates Synthesizing Eastern and Western Religious Traditions Gage Chapel | ||||
