Volume 11.2 | Summer 2000
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Table of Contents
Introduction Juli Barry Chinese Red Packets: Reflecting Changes of Cultures and Relations Kin Wai Michael Siu "'Breaking"' Hollywood's Stereotype of the Japanese American: The Significance of the Film Go for Broke! Joy Y. Nishie and Erika Engstrom The Evocation of Death in Dorothy Dandridge's Photograph: The Reading of a Still Charlene Regester Strategic Self-Commodification As Resistance: The Complexity of Media-Transmitted African-American Cultural Attitudes Keiko Nitta Jasper Johns' Painted Bronze Revisited: Art Posing as Product Deborah H. Cibelli S/He's Got It All: Myths, Mechanics, and Mystery In Cross-Dressing Striptease and Burlesque Performers Jon Donlon The New Horizon of the Moving Image: Digital Production in the 21st Century Wheeler Winston Dixon A Drive through the City: VW's Safe and Delusional Urban Setting Ross Talarico Towards a New Modernism in European Comics? Jan Baetens The Half-Baked Cultural Detective: Fear and Loathing in Las Vegas as Postmodern Noir Daniel Grassian The Post-Colonial Vision of The "Great White" of Lamharene Gwendolyn Audrey Foster From the Fringe: Hip Hop Culture and Ethnic Relations Renford Reese Thrift Stores, Garage Sales, and Flea Markets: Pop Culture, "Camp " and Ethics Matthew Stolick | ||||
