Popular Culture Review
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Volume 11.2  |  Summer 2000


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Table of Contents
Introduction
Juli Barry

Chinese Red Packets: Reflecting Changes of Cultures and Relations
Kin Wai Michael Siu
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"'Breaking"' Hollywood's Stereotype of the Japanese American:
The Significance of the Film Go for Broke!

Joy Y. Nishie and Erika Engstrom

The Evocation of Death in Dorothy Dandridge's Photograph:
The Reading of a Still

Charlene Regester

Strategic Self-Commodification As Resistance:
The Complexity of Media-Transmitted
African-American Cultural Attitudes

Keiko Nitta

Jasper Johns' Painted Bronze Revisited: Art Posing as Product
Deborah H. Cibelli

S/He's Got It All: Myths, Mechanics, and Mystery In Cross-Dressing
Striptease and Burlesque Performers

Jon Donlon

The New Horizon of the Moving Image:
Digital Production in the 21st Century

Wheeler Winston Dixon

A Drive through the City: VW's Safe and Delusional Urban Setting
Ross Talarico

Towards a New Modernism in European Comics?
Jan Baetens

The Half-Baked Cultural Detective:
Fear and Loathing in Las Vegas as Postmodern Noir

Daniel Grassian

The Post-Colonial Vision of The "Great White" of Lamharene
Gwendolyn Audrey Foster

From the Fringe: Hip Hop Culture and Ethnic Relations
Renford Reese

Thrift Stores, Garage Sales, and Flea Markets:
Pop Culture, "Camp " and Ethics

Matthew Stolick
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