Volume 31.1 | Spring 2020
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Table of Contents
From the Editor’s Desk Felicia Campbell “Sad But True”: Why Metallica’s Fans Continue to Fail Them (and Not Vice Versa) Twenty Years After the Napster Lawsuit Tracy Reilly Police Body-Worn Cameras: We See What You See, But Is it Helping? Elenice DeSouza Oliveira and Reginia Judge Robert Eggers’ The Witch: A Feminist Folktale of Fear and Floating H. Peter Steeves Entertainment as Education: Multiculturalism and Interculturalism in Eytan Fox’s 2004 Film Walk on Water Erika Engstrom The X-Fantastic Daniel Ferreras Savoye Ambassador of Cajun Music: Jimmy C. Newman, 1927-2014 Michael Green Octavia in Vegas: Teaching Octavia Butler in a Las Vegas Classroom Briana Whiteside “But If It Dies, It Produces Many Seeds”: Ritual Sacrifice in the Film Midsommar and the Spanish Bullfight Danielle Meijer Archetypal Development in One Body, One Image: Female Theatricality in Tennessee Williams’s “A Streetcar Named Desire” Raluca Comanelea The Princess is a Whore Erin Fleet Book Reviews Review of The Lemonade Reader: Beyoncé, Black Feminism and Spirituality Alexis Noel Brooks Review of Bright Signals: A History of Color Television James Altman Contributors | ||||
