Volume 31.2 | Summer 2020
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Table of Contents
Guest Editor’s Note Heather Lusty Twitter in the Courtroom: Do You Object? Regina Judge Susan Sontag’s Melancholy Object in the Wake of (Post-)Postmodernism: A Case Study of the Portrait of Klein by Hannah Diamond Senne Schraeyen Where Angels Tread: The Art and Architecture of Guardian Angel Cathedral in Las Vegas, Nevada Patricia M. Kirtley and William M. Kirtley Pitiless Cruelty: Cynicism, Capitalism, and Gambling in the Writing of Mario Puzo David G. Schwartz Hearing Things, Seeing Things: The Extension of Human Faculty in Algernon Blackwood’s The Damned (1914) Kenneth Payne “Surface, surface, surface was all that anyone found meaning in”: American Psycho and the Pictures Generation Todd Giles Mother Earth: An Ecofeminist Analysis of Aronofsky’s Mother! Isa Rehana Flores William Faulker’s Film of Redemption: The Left Hand of God Carl Rollyson The Return of the Repressed (and Oppressed): A Freudo-Marxian Analysis of Jordan Peele’s Us Seth Vannatta Book Reviews Review of Reel Latinxs Representation in US Film and TV Erika G. Abad Review of Remembrance of Things Present: The Invention of the Time Capsule John Hay Review of In the Balance: Indigeneity, Performance, Globalization Francis Aquino Review of Black Lives Matter and Music: Protest, Intervention, Reflection Shelby Humphreys Contributor Bios | ||||
