Popular Culture Review
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Volume 31.2  |  Summer 2020


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Table of Contents
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Guest Editor’s Note
Heather Lusty

Twitter in the Courtroom: Do You Object?
Regina Judge

Susan Sontag’s Melancholy Object in the Wake of
(Post-)Postmodernism:

A Case Study of the Portrait of Klein by Hannah Diamond
Senne Schraeyen

Where Angels Tread: The Art and Architecture of
Guardian Angel Cathedral in Las Vegas, Nevada

Patricia M. Kirtley and William M. Kirtley

Pitiless Cruelty: Cynicism, Capitalism, and
Gambling in the Writing of Mario Puzo

David G. Schwartz

Hearing Things, Seeing Things: The Extension of Human Faculty in Algernon Blackwood’s The Damned (1914)
Kenneth Payne

“Surface, surface, surface was all that anyone found meaning in”: American Psycho and the Pictures Generation
Todd Giles
 
Mother Earth: An Ecofeminist Analysis of
Aronofsky’s Mother!

Isa Rehana Flores

William Faulker’s Film of Redemption:
The Left Hand of God

Carl Rollyson

The Return of the Repressed (and Oppressed):
A Freudo-Marxian Analysis of Jordan Peele’s Us

Seth Vannatta

Book Reviews
Review of Reel Latinxs Representation in US Film and TV 
Erika G. Abad

Review of Remembrance of Things Present:
The Invention of the Time Capsule

John Hay

Review of In the Balance: Indigeneity, Performance,
Globalization

Francis Aquino

Review of Black Lives Matter and Music: Protest,
Intervention, Reflection

Shelby Humphreys

Contributor Bios
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Washington, DC 20036
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